The
Rat's Nest
крысиная
нора
поэзия
poetry
by Mickey Cesar (Мики
Сизар)
e-mail:
mickeycesar@gmail.com
[updated
Monday, December 19th, 2011]
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INTRODUCTORY
NOTE FOR MONDAY, DECEMBER 19TH, 2011
After
a tumultuous autumn, I have settled into an apartment in Kyiv.
The
days are short, eight hours of grey skies then night.
I miss
my language.
Anyway,
a few new unedited poems, with the usual caveat:
find enclosed
some gems, some trash.
enjoy or don't.
to
bursting with language
She
slices onions in a small kitchen,
dreams of ink. The knife
feels dull in her hand.
Snapping flesh, flaking off the
skin.
When she has diced the exact measure of the day
she
turns to other things. Gas jets
and tubes, steam,
electricity. In the city
there is coffee – and as
the first flames lick
the rim of her shallow pan, she sets aside
a
cigarette and match
for the man who never comes.
new
promises
Here
then, friend, here is my throat.
We have come to a
bloodthirsty conclusion
to a vicious century. We
have
exported hunger, and in cold rooms
await our undoing.
Another pint might
still all memory of evil, so
pour
another.
A slick mist covers the paving stones
from the
University to the grocery down the street.
We weave between dingy
façade and oncoming traffic.
We do all these things; the
police
are sure to notice. Your papers
grow old.
Like the plague-stricken
birds which rain down in the alleys, we
each
have inglorious ends waiting. I fear it;
we feel it
in our bones. Take from me
this flesh, my friend: God
has
disappointed me. May you
find better use
for this
blood,
weak
and thin.
sanctuaries
Let
us retire to underground caverns.
The soil is torn in your home –
the young
trees ripped by the roots. There is
room
beneath the streets, cold caskets
of our ancestor’s
apocalyptic dreams.
The open sky once rained blessings,
mists
and dews. It shuddered somehow; was it
our loss of faith,
our poor offerings?
We held two coins, and kept one:
it
was not enough. We have paid for oxygen,
demanded too much,
and now the sun
flickers. We have ash on our hands.
This
winter gets smaller by the minute.
We together can descend
stairs,
but will ache
by separate fires.
dark
spots
There
is sorrow enough in crumbled mortar
and broken bricks. Near
midnight, we descend
stairs, our ankles twisting
more and
more
on our heels.
I want to watch you
charming a Вiле
and
vodka, talking
soft and uncertain blue spots –
Bruises,
I correct, suddenly convinced
I have fractured your belief in
me.
You can bring me a map of the city;
we each can smoke
cigarettes in silence.
The noise and madness
are enough for all
of us.
zero
times faith
Natasha,
it was a hospital, that grey stone
jet-black windowed on
Saksaganokogo.
We should have stopped, loitered at least,
the
walls and paving stones stealing
our last warmth that the freezing
mist
did not catch.
The free-fall is going well so
far.
When I arrive
when the earth comes up to meet me
I will
write
and tell you it was a river you looked to
and I will
apologize zero times
for stealing the food from your mouth.
Even
in the train station
we move from room to room
while
dreaming
far cities. Each seems
to have walls which
crumble, broken
stairs and impossible doors
I cannot solve.
In seven days, we must again
speak of taxis and
trains
exchange rates, the shortened days
of Moscow
December.
Have faith.

“Human
time does not turn in a circle; it runs ahead in a straight line.
That is why man cannot be happy: happiness is the longing for
repetition.”
~
from The
Unbearable Lightness of Being
by
Milan Kundera
conversation
number one
“Is
it we are wedded to Armageddon, Mister Black?”
Mr. Black: it
is we; indeed, us each.
“Is it you who will pull the
trigger, sir?”
Mr. Black: no, but I alone will break
the
black cat’s bones.”
text
message to hennessy
excellent.
I have
tales to tell. You are one
of maybe three who can
hear them.
The rest of the world
is deaf with unhappiness, my
brother,
stone deaf.
summaries
of hell
Roiling
change from hand to hand
as if the sound of it, the juggling
flow
might, if balanced,
become a
river.
It may be time
to collect all your shoes
and settle on one
pair. The raven
can tell the future, unaware as its
dark
eyes are deep
what you need. Lay pennies
on your eyelids,
read
the rot which comes from your guts.
coda
From
your lips fall flowers you have tasted
bitterly. We were
best when
our breath was unmixed. You would leave,
go
back to the man who cooked casseroles
and raven soup. I
never asked
what dance the two of you might
nightly execute.
You two:
and me consumed
with guilt and garlic. There are
no roses
scattered about
my sanctuary, just whispers
and
strands of hair.
crosshaired
Shadows
of barbed wire
cut the frozen grass by your hand.
It is with
some trembling that you take the blade
and scrape the mist from
your forearms.
In the dying light, guard towers creak
under
their own weight and age. As the cold
settles in beneath
your collar, cuts through
your poor coat, you recall seasons
passed
huddled in trenches, ever wary of your silhouette,
raw
target, autumns too numerous to distill
into a singular
bitterness, and as the fence
twists by sunset, you are left
considering
beauty beyond the wire, or if
the poison you’ve
slowly sipped
might be comfort unto death.

“The
pure present is an ungraspable advance of the past devouring the
future. In truth, all sensation is already memory.” ~ Franz
Kafka
seven
things I want to learn before I die, or, histories of the Great
Loneliness
The
memories of insects, if they land
on rotten fruit, my skin, and
think
this
again.
Second,
how the jaw feels
going head-first through a windshield.
I knew
that once, but have since forgot.
I’d say, third, the
solution
to her skin, but that might really
be first. Or
second. Or maybe just a
freckle-by-freckle guidebook, but
that’s not so much
thought but object: it does not
count.
Third, the physics of happiness. Is it
something,
or just a negation of
drowning in dry air? Four,
the
difference between free and blank verse. How to breathe
without
feeling guilty. Five. Six, to find out
finally, why it
matters. What the it
is. Seven,
the taste of her
skin.
recursion
& theology
Still.
The moment of September coastlines
slopes into the darker hours
of
temperate zones. Prayers hover over
the rocks and
sand, then curl into
the ocean
with an astonished gasp, fold
in
among the sticks and shells,
drown without protest.
We
each spend lifetimes alone with our utterances,
alternating
between sad and plaintive
ever convinced
we were loved
once.
catacombs
Wine,
candlelight.
Muted imprecations shift back from stained glass
neon
hums. The procession, light-clad
bodies twists past the
fountain. This
is
my body. This
is
my blood. We hover
over ashtrays and fragments
of
gospel.
Your words are blue shocks, familiar.
You call.
I
respond. Your words:
the
evening’s electricity ripples through our bodies
shudders
our jawlines, our tongues
pierced and wanting. From
incense,
sweat, and blood we fashion
reliquaries.

“Like
all pure creatures, cats are practical.” ~ William S. Burroughs

IF
I WERE ON FIRE
75 poems, with photography by Allison
Richardson
was released by Spartan Press on May 12th, 2011
and
is available at
Prospero's
Books 1800 West 39th, Kansas City, MO
Raven
Bookstore 6 East 7th Street, Lawrence, KS
and of course,
Amazon
if you're not lucky enough to be close to Prospero's or the
Raven.
[SAMPLES
FROM IIWOF]
VANISHING
POINT
54
poems, with artwork by Alexis Cullerton available at:
Prospero's
Books 1800 West 39th, Kansas City, MO
Raven
Bookstore 6 East 7th Street, Lawrence, KS
KU Bookstore 1301
Jayhawk Boulevard, Lawrence, KS
and, of course, through
Amazon.com
PISS
OFF NO PROPHETS: EXCERPT FROM II KINGS 2:23-25
23
And he went up from thence unto Bethel: and as he was going up by the
way, there came forth little children out of the city, and mocked
him, and said unto him, Go up, thou bald head; go up, thou bald head.
24 And he turned back, and looked on them, and cursed them in the
name of the LORD. And there came forth two she bears out of the wood,
and tare forty and two children of them. 25 And he went from thence
to Mount Carmel, and from thence he returned to Samaria.
OTHERS
LOST:
Poetry
of Matt Porubsky, author of
Voyeur Poems and Fire Mobile (The Pregnancy Sonnets)
Laura
Kitzmiller reading
at Prospero's
Hep Cat and Fab Art-boy Andrew
Jilka.
Jason
Ryberg, author of Devils,
Dice & Car Parts,
Blunt
Trama
and
other goodness.
Bronze
Conduits poetry by Julianne Buchsbaum, author of Slowly,
Slowly, Horses
and
A
Little Night Comes
Mitzvah
poems and random niftiness from Robert J. Baumann
My
Favorite Barista Michaela on Lawrence.com and blogspot
OTHER
MICKEY SCHTUFF:
me
on Facebook
feature
in Present
Magazine July 2007
interview with four other soldier/poets
from WarNewsRadio
May 2007
interview with Bill Radke of Minnesota Public Radio
Weekend
America June 2007
write-up on the book release from the
Lawrence
Journal-World January 2005
interview with Laura Spencer of
KCUR-FM
Kansas City January 2005
OLD
AUDIO POEMS:
spearmint
tea, tracks, and trestles
aurora
borealis
living
rain
the
psalms of wasps
VIDEOS:
Jazzhaus
feature, March 2011
Jazzhaus
February 2011
Prospero's
Poetry Filibuster (setting a world's record for longest poetry
reading!) June 2010
“the afterlife” at Prospero's
May 2010
lindsey
& the f-bomb at the Writer's Place, March 2008
natalie
3:28 Kansas City Lit Fest, June 2008
and just for fun, I'm
the “star,” but have no lines: how is this possible? The
Priest in the Porn Shop.
PAINTINGS:

OTHER
FAVES:
Prospero's
Books used books, local poetry & events, and UnHoly Day
Press
Flutter
Poetry Journal
Glenda Rolle
artwork
Rough
Traces by Jason Wesco (review)
The artwork of C.
Elisabeth Bear
Church of
the Subgenius
and, of course, the amazing and talented Josie
Wrath

The
amazing Alexander Nevsky
(April 15th, 1999 – September 4th,
2009)

“The
incorrigible sorrow of all prisoners and exiles... is to live in
company with a memory that serves no purpose.”
~ Albert
Camus
increscunt animi, virescit volnere virtus